Showing posts with label alexandra paris. Show all posts
Showing posts with label alexandra paris. Show all posts

Thursday, March 5, 2009

On waking up with a beautiful glowing feeling


Pilates is fucking amazing. I've only been doing it for three days and I'm starting to feel like there are bricks forming under my skin. I wake up feeling like I'm glowing with health and energy (this is partly the vitamins and going to bed sober, as well). At this rate I'll be toned in a month! Even my writing is getting more taut. At first you have to read the instructions and look at the photos and keep it in your mind like a formula, but it's cool how after you go through the motion a few times it becomes automatic, and you can go into your meditative state and just focus on breathing. It's also bringing my libido back to life and making me horny. All yesterday I felt like I had a big love magnet in me and attracted love everywhere I went. Didn't hurt that it was also a gorgeous day (off and on). Spring is trying to let its bright light shine.

Left the house around noon and the sun was out, walked to Fred Meyers for mini DV tapes for the Hat Party, then met Kirk at Pho Green Papaya for lunch. I had the pho tom yum, my new favorite menu item. Kirk had the seafood pho and then complained that he'd made it too hot. I like it so hot it almost makes me cry and I have to blow my nose into my napkin. Feels like it's burning impurities out of my system. Melanie called to say she's coming to visit next weekend! I really hope it happens this time. Maybe we'll go camping or visit the coast, like in the old days. Kirk said he's writing a book about how you can channel water into a source of energy and use it for resistance and exercise instead of just being lazy in it. I told him a couple premises for comedy sketches I've been discussing with my cousin (we're talking about starting a little comedy sketch show in San Francisco something like Little Britain! Maybe we can call it Little Sodom!) He did what he always does when I tell him an idea - he immediately takes it in his own hands, builds on it, distorts it, and turns it into Kirk's idea. I find this somewhat annoying and finally told him that I think he and I have different comedic styles. Mine is "Kids in the Hall" and understated, his is "Jackass" and overtly clownish. He also tried to tempt me to drink beer when I'd made it clear I'm not drinking any more (except MAYBE the night of my going-away gathering, but we'll see), not that it made any difference - I have truly entered a new phase of my life, and it's only going to ramp up when I leave Portland. It was nice to see him all the same, and he was nice enough to drop me at the media center after lunch.

There I picked up my laptop and edited Art Police for hours at Tiny's, listening to too much Bjork and just enough Hot Chip, until a table of loud, obnoxious rocker type boys rehearsing their loud, obnoxious film script at the table behind me became so distracting I had to leave. (Dude, this is a CAFE, not your favorite DIVE BAR!) If you've never edited film before, you would be stunned by how much work it can be - and this is for a film that will clock in at less than 10 minutes. I edited continuously for four hours, and I've still only completed scene one of four - BUT it has become so fantastic that I'm really excited for people to see it now. I played with the video effects palette and discovered all sorts of things, including how to fix bad lighting. The opening credit sequence is splendid. The gang is really going to be surprised when they see it, I think. I was disappointed in myself for missing the Gold Coyote deadline, but now that I see how much work it's taking to make it really good, I'm not so much, because even if I had been totally focused that one day or two when I was too messed up to work, there's no way it would've been done by that deadline, given the timeline we made it on. I plan to have the final cut by this weekend and hopefully up on YouTube as well!

After editing myself into a stupor I did camera for Alexandra Paris's show for the last time. It was sweet, she gave me an on-camera send-off at the end of the show, called me a "faithful camera man" and said I'm welcome back any time I'm visiting Portland in the future. She and her guy are coming to the Hat Party this weekend, as are Vicky, Edgar, Seventh, Element, and a cute boy who I met last night while doing camera, he was helping out in the control room. Only problem is, he's 20 and I'm....32.9.

This week's One Day At A Time has a little blurb about Matthew Goode (who played Charles Ryder in Brideshead Revisited!) with a sexy accompanying photo (above) I sent a naughty response to their letters section, but I'll keep it to myself until I see if it's published. I still think Ben Whishaw is hotter and a more phenomenal actor, but Matthew's all right too, in both departments. I read the only part of the WW worth reading - Rob Brezsny's astrology column - and it said that I'm not setting my sights high enough and that the cosmos is giving me license to ask for more and dream big. Oh, cosmos, I hear you calling, and I am listening, baby!

Thursday, February 19, 2009

anglophilia / "Bad News" / community media


Today I spent three more hours editing the footage Emie and I shot last month, and I have another session scheduled for tomorrow. I plan to have a rough cut finished by the end of that session, and have reserved a dub rack as well so I can burn a DVD copy of that rough cut to watch with Emie and Justin this weekend, during a break in filming "Art Police."

It started as a funny throwaway, a B-side to Art Police, and it's turned into a fairly intense trainwreck of a mini-movie. The working title was "Monsieur LeTigre Speaks" but I changed it to "Bad News" tonight. It could be a PSA for why people shouldn't abuse alcohol. But I kind of like its trainwreck intensity. I'm afraid when Emie sees it, though, she's going to want me to cut all of her parts out, because she's definitely not the charismatic person she can be when sober. But there's something very compelling, to me anyway, about completely raw footage of someone having a drunken meltdown on camera, and being just totally emotionally naked and vulnerable. I hope I can convince her to keep some of it in.

Most of it is not very flattering footage of me, either. I intended this film to be about self-doubt, conflict, contradiction, negativity, drunken retardation, the voices in your head that argue and cause you to engage in self-warfare. It ain't supposed to be pretty, and it sure as fuck ain't.

Then I helped "Alexandra Paris" with her studio production - speaking of trainwrecks! - and it had that "we're winging it" feeling as always, especially since her co-host never showed and didn't even call, so her Leprechaun-like little boyfriend (who I think must be bisexual at LEAST) stood in for the co-host, and actually did a pretty good job. Alexandra was working the Adams/Breedlove fiasco pretty hard, of course - apparently Beau is posing naked for Unzipped, a men's adult magazine. So he's doing the same thing the media are with the controversy: exploiting it for everything it's worth. At one point after she'd been reaming Breedlove for his shameless self-exploitation, a caller went on the air and hissed the words, "Horse shit!" and then hung up.

I couldn't help it, I blurted out: "IT'S BEAU BREEDLOVE!" in the midst of the live show.

That's what's fun about that show, though - you can do things like that and they just become part of the DIY anarchy of community media.

I hope they have a facility like this in San Francisco. I'm sure they do. Probably more than one. (Photo of the Portland Community Media Warhol-style "Staff Wall" above.)

Alexandra used her televisual platform to rebuke some rowdy (black) kids on the bus earlier that day who had been disrespecting other passengers on the bus, putting spitballs in their hair and such. I've witnessed some pretty depressing behavior on the number 6 bus myself, including a cracked-out lady and her giggling little brat of a child who attacked a gay guy sitting in front of her, calling him a faggot and blaming him for being responsible for AIDS and stuff. The guy held his ground pretty well, but I felt bad for him all the same, and got the hell off that bus at the first opportunity.

A side effect of my intense love for Ben Whishaw is that I'm becoming an anglophile. I may have to move to England in five years or so when I'm done with Maui and San Fran. But I've been talking with Anthony almost daily lately, and my excitement grows exponentially with each conversation. We are going to have so much fun. We really are two of a kind...and FAMILY, on top of that.

I have this interesting premonition that during my six months on Maui I'm going to actually be HAPPY, in the truest and deepest sense, for the first time since....I was a kid?

Or ever?