Showing posts with label jonas brothers. Show all posts
Showing posts with label jonas brothers. Show all posts

Tuesday, February 24, 2009

Art police / rock and roll / creative chaos / anti-gay Milk protesters


Art Police is in the bag! Shambolic though the whole process was, and despite being flaked out on at the last moment by a certain someone who was supposed to be our camerawoman, we got it done in a three-day marathon filming session, starting Saturday morning. And I really haven’t had this much fun, this much of a creative high that is, in quite a long time. I will definitely be doing more film work in the future. It may turn out to be my metier, although I don’t think I’ll ever confine myself to one particular medium. The sort of artists I admire are the ones who can move effortlessly from one medium to another and express themselves in all of them. That’s the kind of artist I am, and I think that will only become more apparent with time. I was talking with a friend the other day who said that Chris Haberman is a true artist – a pretty common opinion here in our lovely little pond. Now, I’m certainly not going to talk any shit about Haberman. He’s a great guy, super nice, super committed to other artists as well as his own work, and certainly an artist. But I’m a different kind of artist from him. I don’t churn out 10 paintings a week, I don’t always have that manic energy every moment of the day. I go through ups and downs. But if you don’t think I’m an artist, then you don’t know me very well, or else you’re someone I probably don’t want to be friends with any more, if we’re really “friends” at all. The three-day shoot I just completed reminded me of the fact that the only time I’m really happy is when I’m up to my ears in a collaborative creative project. It’s the main passion of my life. I was making my own comic books and selling them to other people in my apartment complex when I was 12 years old. I started writing, drawing and building long before that. But collaboration is the direction I need to go in. It is all too easy to write or paint in solitude, that’s what comes most naturally to me, but there’s something very healthy and engaging and growth-oriented about the sort of project we just completed for this film – working with other people, mingling my ideas with theirs, adding new things as they arise and discarding others when we find they don’t work, and then the communal, shared pleasure of enjoying the fruits of our collective labors afterwards. It keeps me from veering too far into solipsism.

So, yeah, the film shoot. We made the egregious error of not looking at our footage as we were filming, so the second day we had to re-shoot about 50% of what we’d shot the first, but it was worth it, because the second time everything looked and sounded so much better.We got kicked out of the Hostess/Wonderbread Outlet Store parking lot (have you ever been in that store? it’s like depression in the form of food – but it seems to do a brisk business!) and got it on tape! Everywhere we went we attracted attention, and whenever we filmed in public (outside Emie’s salon by the Clinton Street Theater, the Food Mart on 21st and Division where the guy was nice and non-corporate enough to let us film outside his store) people watched from their cars, or came up and talked to us. People just love movies, and watching them be made is exciting for them. Justin and Emie’s friend Dan stuck with us through the whole shoot, alternating between camera and boom mic. Another one of Justin’s friends helped us out with camera during the gallery scene. At one point we corralled a couple little boys from the house next door to help with the boom mic after Dan had to go to work, and they were so excited about it, it was cute (production still above). On the second day Joel came over (at very short notice) and took over the photography, and sat in with us as we recorded a soundtrack in the basement, including an awesome little theme song that’s going to sound SO GOOD over the closing credits, that I did vocals on! (With help from Justin and Emie.) That was the first time I’ve recorded music in years, and it made me think I might want to take the stage at a rock show at some point. The way all this music arose so spontaneously was really inspiring. Then the third day we logged all the clips from both days of shooting in detail, which will help a lot with editing, which I have to do FAST, and alone, because Emie and Justin have to work, and our submission to Gold Coyote must be postmarked by this Sunday the 1st.

It’s funny how certain people who were prominent in your life for awhile recede into the background and others unexpectedly move into the foreground. Justin and Emie have really become two of my best friends in Portland since I got back from Glacier. We have a similarity of temperament that smoothes over all the occasional flare-ups and arguments. When it was the three of us and Dan it was a perfect mix: three bossy megalomaniacs and one mellow, calm person (Dan) who sort of glued us all together! And to think that all of them were doing it without any hope of being paid for all of our hard work (unless we actually DO win the prize, which is one in a thousand), simply for the natural high you get from completing a creative project, just like I do. They are like me, depressed when they’re not working on something. We also share certain self-destructive tendencies as well, but I have a hard time working with completely sober, straight-edge, vegan, PC, prim and proper people who don’t know how to party and get work done at the same time. There is something about chaos that fuels me creatively. Making order out of chaos. Creating beauty out of a big crazy mess. If it was never messy to begin with, it doesn’t interest me.

Also there is a certain jagged beauty to Emie and Justin’s relationship, which continues to fascinate me. They take turns being the belligerent one. They are cool people, without being hipsters. They weren’t nerds in high school. I like being around people who still embody the attitude of what I consider rock and roll, because I think that’s such a rare thing these days. As someone (I think it was Beej) pointed out, we live in an era when Coldplay (even the freaking JONAS BROTHERS?) are considered rock and roll. I may not record rock n roll – although I have in the past, and may again – but I have some rock bones in my body, all the same. I went and saw my friend Dylan’s metal band Cull play at Mississippi Pizza last Thursday (even sacrificed my favorite night of television for it). It was good stuff. The place was hot with body heat, full of lots of people who all smelled like animals. But hey, we are animals.

Cousin Anthony got to watch Sean Penn’s acceptance speech for the Best Actor Oscar at the Castro Theatre in San Fran! Imagine that excitement. Although he said there were PROTESTERS outside the theatre. What were they protesting? Good movies?

Sorry, anti-gay conservatives, but it’s the 21st Century now, and you lost. Put your bible down and get a life. LIVE AND LET LIVE. Just like Jesus would.

Saturday, February 14, 2009

In love with Love


Last night bordered on magnificent. I’ll never think of Friday the 13th the same again. I arrived early for my volunteer shift at the Love Show, and got to take a spin through the whole building and see all the art before any of the public arrived. Then a magical night began. Amazing art everywhere I looked, great connections with people I hadn’t seen in a long time - Kaj-ann, Vicky, Bruce from the PCM class that certified me as a producer, Richard who literally GAVE me the coat off his back, Jules who made an amazing 3D piece for the show of two kissing suspended jointed figures (I’m going to her bday at the Florida Room Monday night), S.I.D. (the artist formerly known as Jona) who wants to buy a copy of my book, Kjerstin who said she liked the Art Police script enough to want to help us film next weekend, Haberman who is always very affectionate, Ben Pink himself (I really wanna grab that guy and say, “Dude, RELAX for a second,” but I know the mountain of responsibility he has makes that impossible). Just truly a fantastic night and the most fun I’ve had at a public event in as long as I can remember. I was in love with Love. And aside from shoring up old friendships I made a bunch of new friends, including a very friendly dark-haired skater boy who was, shall we say, NOT UNATTRACTIVE, and said he wished he could take me with him when he left to smoke a bowl! (But I was stationed at the front door making sure no one left the building carrying an alcohol receptacle.)

I discovered a precious young maiden who had climbed into the middle of one of the installations (photo above).

I did my double volunteer shift (Leigh greeted me in the volunteer lounge afterwards with “The best alcohol monitor ever!” and gave me a sip from her flask of whiskey), got my two drink tickets, but by that time the bar had run dry and I was pretty tired anyway, so I bailed, but not before giving Vicky a big hug, because she is certainly in the top 10 of people I care most about in Portland, and now she’s made the most amazing offer to take care of Lucy for me (despite already having four cats!) until such time as I have my own place in San Fran and can take her back! Plus she said, “I’m always looking for an excuse to visit San Francisco,” meaning she might even be able to bring her down to me when I’m ready to reclaim her! This is nothing less than a miracle for me. My excitement about the future and the great things awaiting me was alloyed by sadness at having to leave behind this girl with whom I have bonded so strongly over the past few years. She really is a little person with as much personality as a human being, and I don’t care if it makes me a crazy cat lady/dude or not, I love her, and the prospect of never seeing her again was hard to bear. And now, because of the friendship of someone who empathizes with and understands my bond with this animal, I don’t have to! Everything is coming together beautifully. I’m still going to make an attempt to find someone else with less pets already to take Lucy until I can have her again, since Vicky already has so many pets, and her husband is opposed to it, but it’s so good to know there’s an option in the background in case nothing else works out. I’m going to sleep easier, or happier, from now until I leave.

I figured out my taxes today in about 20 minutes (so far the 1040EZ form still takes care of me nice and simple), and the IRS owes me $210, except they’ll just take it and apply it to the money I still owe them from years ago, that one weird year where I somehow ended up owing them over $1000. (I still wonder if I figured that wrong and screwed myself over, but it’s too late now.)

Made my weekly call to mother tonight, after a lovely dinner of stuffed bell peppers, asparagus, broccoli, lemon bars and sparkling juice with Scott, Meghan, their dad, and Meghan’s friend Brian. Dear Mother is her ever-lovin’ loopy old self. “I’m getting into younger guys again,” she told me. “I think the Jonas brothers are really cute.” So we’ll both be watching SNL tonight: her for the Jonas brothers, and me for Alec Baldwin. I bought some brandy for hot toddies to celebrate the occasion.

Anthony said he coined the word “murse” for a man-purse and it made it all the way onto The View! He’s paranoid about people stealing his ideas so I won’t be blogging about our titles and ideas for the book until after it’s all ready for public consumption.

I had nothing in the planner today, but decided to make a lazy day productive by going to the media center and doing some editing on “Monsieur LeTigre Speaks,” the short film I shot with Emie a while back, the night we went to Slabtown for Sam’s birthday (or was it Audra’s?) To my surprise I found that we’d shot 45 mins. worth of footage, and some of it is quite hilarious! It’ll probably be about 10 mins. long when finished and I’m going to try to have it done for viewing by next weekend so we can watch it before filming Art Police, and hopefully I’ll be able to put it up on YouTube by then too.