
I have posted an
ad in the rideshare section of Craigslist, because Courtney Love's Hole - her new, improved Hole - is playing Live 105's BFD at the Shoreline Amphitheatre this Sunday, and it would be shameful of me not to make an honest attempt to finally see this borderline psychotic, borderline genius, enduring freakshow of a woman - an icon in whom I have, for some highly questionable reason, invested so much emotion and significance for at least 15 years now - live and in concert, at last.
How would I describe Courtney to an alien from another planet who had never heard of her? Well, to me anyway, she's sort of a rock-and-roll (Bride-of-) Frankenstein combining the poetry of Patty Smith and Anne Sexton with the fiery scorn of Lydia Lunch, the punk-rock style of Siouxsie Sioux and Exene Cervenka (not so much the talentless Nancy Spungen), the sheer emotional intensity and towering cultural iconicity of Janis Joplin, the combatively controversial persona of Madonna and Yoko Ono and Sinead O'Connor, the fragility of Tori Amos and a dozen other vulnerable and more traditionally feminine singer-songwriter types, with...the glass-and-gravel vocals of PJ Harvey and Johnette Napolitano and Medusa and Medea, the on-stage spontaneity and unpredictability of Iggy Pop and Wendy O'Williams, the plastic surgery of Amanda Lepore, the trainwreck life-as-performance-trash-ness of Frances Farmer and the late Anna Nicole Smith, the smoky glamour of an old-school movie star like Clara Bow or the younger Bette Davis, the oversexed brashness of Blanche DuBois....shall I go on? What I'm saying is, girlfriend is COMPLEX. She's not just a walking study in demonology, she's....sort of a walking study of womanhood in the 21st Century. She's an enigma, and I love enigmas. For all her TMI and metaphorical nakedness, seeming to throw it all away and tell us all the truth, there is something central and secret that she never actually gives away. That must be what keeps me guessing, and paying attention.
I just received my copy of Hole's new album,
Nobody's Daughter, today - the first real, solid, physical album I've purchased in...years? (I stopped buying music about a decade ago? Abandoning it, for some reason, in favor of other art forms like film and literature.) And it's pretty fucking good. Good enough that I'm sure after a few dozen more spins it'll permanently bond itself to my soul and psyche the way ALL of Love's four previous albums - including her not-entirely-terrible solo album, 2004's cheekily titled
America's Sweetheart - have done.
For better or worse, she fills a space in (un)popular culture that would be naught but a gaping hole in her absence.
From the liner notes of
Nobody's Daughter (quoted without permission, yet with respect):
Nobody’s Daughter is dedicated to all the motherless children and fatherless babies in this world. This record is dedicated to the light and to the eternal clonthian fire. This record is dedicated to numinosity and to vengeance and to sobriety. To the delusion of the ten world and to the endless cycle of birth life old age and death with enlightenment firmly in our sights.
We are dedicated to the deepest love, the truest love and the purest self love. We are dedicated to a rapacious greed for living and for Gods sake holding onto yourself in a hurricane knowing you are so loved.
This is dedicated to complete surrender. Just give in baby, just give in and you will find the light inside of yourself full of hate and fury, piss and vinegar, cracked mirrors and total self annihilation.
But the light, the light will overcome, just hang on. And in the end, Love and nothing but Love.